After World War I, he began painting canvasses inspired by the circus world and machines, returning gradually to representative art. For about ten years, he focussed on depicting objects using points of view borrowed from cinema. He even directed a film, Le Ballet mécanique, in 1924. In 1931, he returned to painting human faces and large-scale canvasses.
During World War II, he found refuge in New York where he painted a series of acrobats and divers, as well as various landscapes. Following Liberation, he returned to France and joined the Communist Party. This political choice profoundly influenced the rest of his work, a large part of which is dedicated to social concerns as, for example, in his series depicting construction workers.
Exhibition Catalogue - "La partie de campagne: Fernand Léger et ses amis photographes"
Musées du Sud de la France
In 1990, the Rmn became a national public institution operating in industrial and commercial fields (EPIC) under the supervision of the French Ministry of Culture and Communication (Direction des Musées de France). Next...
Copyright © 2000-2008 Réunion des musées nationaux. Tous droits réservés.